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Here’s what we said in our original review: Others may have violated her, yet she’s going to decide what happens to her next, government experiments be damned. And when the film reaches its inevitable bloody conclusion, Lou arrives at a defiant sense of peace. Dark comedy informs Antibirth, thankfully, so even the gory scenes are not too serious.
There’s a scene where Lou notices a gigantic blister on her foot, and Perez steels his camera on its blood and pus when Lou pops it. Lou’s changes, however, are front and center, and they may be too much for most viewers. Perez films Antibirth with vivid colors and disturbing absurdist imagery: there are multiple sequences where adults in furry costumes perform creepy rituals for reasons I’m not sure even Perez understands. Her friend Sadie (Chloë Sevigny) suggests she may be pregnant, but Lou’s going through worse than that, so she fights for the nasty truth before it’s too late. She does not remember much, except for disturbing flashes, but soon her body starts to betray her. Lou (Natasha Lyonne) is a party animal, and one evening a man squirrels her away to a private room. Making his feature-length debut, experimental video artist Danny Perez takes his flair for the bizarre and fits it into a parable about female self-determination. Here’s yours truly over at the Washington City Paper:Īntibirth is like a cross between David Cronenberg and the Gathering of the Juggalos, except with a feminist slant. INSTANT VIEWING OF THE WEEK (FUCK THE PATRIARCHY edition): When Phiona’s self esteem starts to bloom, her smile is infectious, and leads to her mother’s understanding of the importance of the game to her children. They are whip smart, often adding hilarious lines to conversations, and have energy that is purposefully in contrast to the struggles of the main characters. They are not pity cases they are not to be ogled. The children of the slum have an incredible liveliness that is awakened by learning, just the same as any other child. Here’s what we said in our original review:ĭirector Mira Nair ( Monsoon Wedding, Mississippi Masala) takes what could have been a generic film into a rich and colorful panorama of life in Katwe. What Zwick brings to the franchise, alongside writers Richard Wenk, Zwick, and Marshall Herskovitz, is one of the blandest and dated action films in years. Never Go Back has Edward Zwick taking over the franchise, the director who made such fun romps as Defiance and Blood Diamond. Reacher loses the original’s writer-director Christopher McQuarrie-a man that has written and/or directed some of Cruise’s best recent work like Edge of Tomorrow and Mission: Impossible – Rogue Nation. With Jack Reacher: Never Go Back, the name really says it all.
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Since we know how important at-home-entertainment is for all of us – every week we do a little “what’s getting released on DVD/on demand/Netflix this week” round up for you, with nice little excerpts of our past reviews and more.